Artkrush.com
"Obadike Sells his Blackness" August21
Africana.com
Aida Croal "Blackness For Sale" August 21
The
Star (Chicago) Nnedi Okorafor "Talk About Selling Out" August 16
Groundnut as Butter Proposal
Project
Description
Groundnut
as Butter critiques the idea of the commercial identity/culture web portal.
This project is a constellation of related sites that address the
industrialization of the peanut as a metaphor for the manufacture of Black Diaspora
culture on the web. Each site within the larger web portal tells the story of
the early twentieth century transformation of the peanut from a low value crop
to a highly processed, All-American product. Groundnut as Butter is a tactical
media project that will produce real peanut culture artifacts. With this work
we ask the questions: Can the web create a Diaspora? and What role does the
identity/culture portal play in our understanding of Diaspora?
The
sections of the site are: Groundnut Stew (a mix of interviews with peanut
farmers and factory workers from around the United States with uploaded sounds,
images, and field notes), The Agriculturalist (an opera about the invention and
consumption of peanut butter in which one character is George Washington
Carver, famous for his inventions using the peanut), Peanutia (a downloadable
fictional encyclopedia of the peanut), The Peanut Gallery (message boards and
chat rooms related to the site), The Nutty Contestant (games related to peanut
trivia, sponsored by fictional peanut product companies), and Extra Butter
(related media projects by invited artist participants).
Production
Timeline and Project Budget
Over
the summer, we will visit peanut farms, peanut butter factories, and peanut festivals
around the country, collecting sounds and images for the project. Groundnut
Stew will be updated as we travel from site to site. We are already developing
the libretto for the web opera, which will be featured on Groundnut as Butter,
The Agriculturalist. This opera will be recorded and presented on the site in
three installments. Peanutia will be available in its entirety as a
downloadable pdf in September. Source information will come from the field
research. During the summer, there will be one game (for Nutty Contestant)
developed per month. Extra Butter will be updated as invited artists submit
their projects. The longest part of the project will be the interaction with
site visitors, who will have the opportunity to make community through the site.
They will both shape the content of the site through their responses to the
interviews and their dialogues in the message boards and chatrooms.
Travel´´´´´?$1500
Artists?Fee´´?$2000
Honoraria´´´´ $ 500
Software´´´´?$ 500
Hardware´´´´?$ 500
Total ´´´´´?$5000
Samples
E2a, A
telnet action This project explores the meaning of community, music, and the
popular as mediated by telnet email system. In order to gather sounds for the
Uli Suite, Keith+Mendi sent a call for sounds over email.
Blackness for Sale Keith
auctioned his blackness online at ebay.com. The auction was scheduled to last
from Aug 8-18 2001. After four days, eBay closed the auction due to the
'inappropriateness' of the item. After 12 bids, his blackness reached its peak
at $152.50. The item was listed under Collectibles/Culture/Black Americana.
This project will be traveling with the Race and Digital Space exhibition.
Keith
my hands/wishful thinking is
an internet memorial piece for Amadou Diallo. Diallo was killed by New York
City policemen on February 4, 1999. The four policemen involved claimed that
they thought Diallo's wallet was a gun and fired 41 shots, hitting him 19
times. Most of the information we received about Diallo's death was mediated by
the internet and filtered through the lens of our browser. We thought it
fitting that we mourn and make art in this public/private digital space.
Keith's wallet, seen in the image, was purchased on 125th street in Harlem
where Amadou Diallo worked as a vendor. In this piece there is one thought to
counteract each bullet fired. The words are wishful thinking in the present
tense. These thoughts reject the negative forces directed against us, the
survivors, African people in the United States. Making this work is an
enactment of our will to survive. Keith+Mendi
The Sour Thunder is an opera created for the
web. All audio will be accessible as MP3 and Realaudio files. Background information
on real and fictional characters, places, technology, and images of maps will
all be available through the Shockwave/Flash interface. Brief statements from
well-known artists and scholars about personal experiences with a new language
will be posted on a linked page. The statements will be audio files or text
taken specifically for The Sour Thunder. Web participants will also be able to
post their own experiences with a new language. Keith+Mendi
keeping
up appearances, a hypertextimonial uses minimalist coding in an attempt to
visualize painful silences. In the tradition of black feminist artists like
Faith Ringgold and Audre Lorde, Obadike makes art out of what is said and not
said. Mendi
CV
Keith
Townsend Obadike
Education
Presently,
Yale School of Drama (MFA Sound Design)
BA in
Art, North Carolina Central University; Durham, NC
Kwame
Nkrumah University of Science and Technology, Summer Program in sculpture and
art history; Kumasi, Ghana
?/span>
Morehouse
College, Music Department; Atlanta, GA
Selected
Group Exhibitions
2002
Race and Digital Space, Studio Museum in Harlem
´´´´´ curated by Erika Muhammad
2001
Race and Digital Space, MIT/List Visual Art Center
´´´´´ curated by Erika Muhammad
2001?Collective Jukebox, Marseilles, France
´´?curated by Jerome Joy
http://homestudio.thing.net/projets/index.html#
´´?
´´?Audiophfile 6.0, Washington, DC
´´?curated by Laura McGough
´´?http://www.nomadnet.org/audiophfile6/index.htm?
Audio
Art Generator, Linz, Austria
http://www.nachrichten.at/audioart/
Infos
2000 Offline Net Art, Ljubljana, Slovenia
curated
by Tim Murray and Teo Spillers
´´??/span>HYPERLINK http://grafika.splet.net/infos2000/prijave/obadike.htm
http://grafika.splet.net/infos2000/prijave/obadike.htm
´´?Transmissions Chapel Hill, NC curated by
Kenan Mc Donald
´´?http://transmit.org
1999?Sonik?curated by Mogens Jacobsen
´´?online with the Danish Artnode Foundation
and
´´?the Danish Film Institute´ HYPERLINK http://artnode.dk
http://www.artnode.dk/?(sonik section)
1998?E-2A, an online call for sounds (a telnet
action)
´´?
Selected
Recordings and Performances
2001
Black Skin White Gloves w/.Mendi Obadike commissioned by Duke University's Mary
Lou Williams Center and Blue Roach Performance Series
?/span>The Sour Thunder w/ Mendi Obadike for
Discipline and Deviance Conference (gender and technology) at Duke University
Take
These Chains a film by Vince Brown
composer
/sound Designer
1997?Taste of Sugar Cane performance w/ Mendi Lewis
Obadike
for
Acropolis on the Brink at the Center for Documentary Studies
1995?Count Bass D/ Columbia Records performance
with P-Funk and the Fugees
stage
musician
1995?Art Porter Jr. Lay Your Hands EMI Records
session
musician
1994?DAngelo Crusin EMI Records
session
musician
1994-95The
Modern Hip-Hop Quartet Diaspora Screams MCA Records
producer
and musician
1994?Blues In C Natalie Cash, pro. Delfayo Marsalis
composer
Arts
Administration
2001?DoubleTake Documentary Film Festival Selection
Committee
2000?To Conserve A Legacy American Art from
Historically Black Colleges and Universities (North Carolina Central University
Art Museum, Center for Documentary Studies and Duke University Museum of Art),
organized by the Addison Gallery of American Art, Phillips Academy, Andover and
the Studio Museum in Harlem, New York, Curated By Richard Powell (Duke
University) and Jock Reynolds (Yale University).
Exhibition
Coordinator
1999-00
African Diaspora Film Series (Isaac Julien, Coco Fusco and
´´´´´´´?others) at the Center for
Documentary Studies, Curator
1999?North Carolina Central University Art Museum,
(Charles White: American Draftsman and Contemporary Ceramics) Museum Assistant
1998-9
North Carolina Arts Council/ North Carolina Central University,
?Campus Art selection Committee?
Bibliography
2001
?/span>Artthrob?"Keith Obadike Sells his Blackness" August 22
?/span>Washington Post Jessica Dawson
"Audiophfile 6.0 Review" Febuary 15
2000?Raliegh News & Observer´ Carlene Hempel" Art Made for the Net:
an Interview with Keith and Mendi Obadike"
Raliegh
News & Observer?Understanding African
Diaspora Vicki Cheng Febuary 16
1998?The Tennessean Rick de Yampert " Urban
Renewal" March 18
Nashville
Banner/Backbeat Michael Gray "Hip-Hop Happening" May 30
Publications
College
Art Association Art Journal "What's in a Name: Seeing Sound Art in Black
Visual Traditions" Winter Issue
?/span>Black Arts Quarterly (Stanford) "Acha
Debela on Art and Technology", Spring Issue
Awards
and Affiliations
Benjamin
Slotznick New Media Award, Yale University, 2002´
Nominated
for Rockefeller Media Fellowship, 2002
John
Hope Franklin Documentary Award 1998
NCCU
Foundation Grant 1998
Samuel
DuBois Cook Society (Duke University)
________________________________
Mendi
Lewis Obadike
mendi@blacknetart.com
Education´´´´
Duke
University--Durham, NC
doctoral
candidate, Graduate Program in Literature, 1995-present
Spelman
College--Atlanta, GA?
BA,
English, minor in Spanish, 1995
Summa
Cum Laude, distinguished student in English
´´´´´´´´?Other Programs Attended:
College
of Art--University of Science and Technology
Summer
Art Program
Kumasi,
Ghana, 1998
Pontificia
Universidad Catolica, Madre y Maestra
foreign
student program, concentration in Language and Literature
Santiago
de los Caballeros, Dominican Republic, 1993
?/span>
´´??/span>
Performances
and Exhibitions
2002
Race and Digital Space, Studio Museum in Harlem
´´´´´ curated by Erika Muhammad
2001?New Women Authors, October 5
´´?Cambridge Center for Adult Education Cambridge,
MA
´´?Race and Digital Space, MIT/List Visual
Art Center
´´?curated by Erika Muhammad
´´?"Black Skin, White Gloves"
Blue Roach Poetry Series, April 19
Duke University--Durham, NC
Featured Artist w. Keith Obadike
Performance
Collective
Jukebox--experimental audio art
´´??Marseilles, France, curated by Jerome Joy
United
Nations Poetry Reading Series
Dialogue
Among Civilizations, March 31
Center
for Documentary Studies--Durham, NC
Durham
Organizer and Editor for book
´´´´´?
Virginia
Festival of the Book --Charlottesville, VA
Reading
with Cave Canem, March 24
´´?Reading with Carolina African American
Writers Collective, March 25
Celebration
of Black Writing Festival--Philadelphia, PA, February 16
Reading
with Cave Canem
2000?Diversity Week Poetry Reading, October 24
University
of North Carolina at Greensboro
Reading
with Carolina African American Writers Collective
Cave
Canem Poetry Reading, July 1
Cranbrook--Bloomfield
Hills, MI
Four
Bean Stew Reading
Mary
Lou Williams Center
Duke
University--Durham, NC
The
Sour Thunder, performance
Discipline
and Deviance: Gender and Technology
Duke
University, with Keith Obadike
E2A
Telnet
call for sounds with Keith Obadike
Composition
and Performance of narration
Take
These Chains a film by Vince Brown
1997?Taste of Sugar Cane (w/ Keith Obadike),
October 17
Acropolis
on the Brink (readings/performances)
Center
for Documentary Studies--Durham, NC
Writer/
Performer
Publications
Poetry
Fence
(forthcoming), Role Call: A Generational Anthology of Social and Political Black
Literature and Art, PoetryBay, 2001, Nocturnes, 2001, MonkeyBread, 2000, Take
These Chains, 1998, Amethyst, 1998, Catch the Fire: A Cross-Generational
Anthology
of
African-American Poetry, 1997
Publications
Essays
Music
entry in The Toni Morrison Encyclopedia (forthcoming)
Olly
Wilsons Motherless Cyborg. Black Arts Quarterly, Stanford ´´´´´´´´´´ ´´?University (1998)
Reading
Ursula? Silence: Sexuality, Subjectivity, and Crossed Signals in ´?´´?Set
it Off. Black Arts Quarterly, Stanford University (1997)
Awards
& Affiliations
Benjamin
Slotznick New Media Award, Yale University, 2002´
Nominated
for Rockefeller Media Fellowship, 2002
Conference
Planning Committee Member for Social Science Research
´´?´´´´´
Council-Mellon Minority?graduate
conferences, 2001-2004
Cave
Canem Poetry Fellow, 2000-2002
Distinguished
Teaching Fellow, John Hope Franklin Seminars for ´ ´´?Interdisciplinary
Studies in the Humanities, Duke University, 1999
Identity
Politics Working Group, Duke University, Founding Member, 1998
Samuel
DuBois Cook Society, Founding Member, 1997
Mellon
Fellowship in Humanistic Studies, 1995
Duke
Endowment Fellowship, 1995
Distinguished
Student in English, 1995
Mellon
Minority Undergraduate Fellowship, 1993
Younger
Scholar Award, National Endowment for the Humanities, 1991
Teaching´´´´?
Instructor,
English Composition, Southern Connecticut State University, 2001
New
Haven, CT
Teaching
Assistant or Instructor of Literature or Writing, 1997-2001
Duke
University--Durham, NC
´´´´´?
´´´´´?Music as a Social Practice, Sound
and Black Identity
Black
Women and the Victorian Ideal, True Stories (film
?/span>and the?fictionalize true narrative), African-American Literature
´´´´´?Afro-Brazilian History and Culture,
University Writing Course--Race
´´´´´?Rhetoric--Slavery and the
Declaration of Independence´´´
´´?
´´?Instructor of English as a Second
Language, 1995
´´?Centro Cultural
Dominico-Americano--Santiago de los Caballeros, Dominican
Republic
Conferences
American
Women Writers of Color, panelist 2001
"Voice
and Noise as Presence in Toni Morrison's Song of Solomon
?/span>and Jewelle Gomez' The Gilda Stories"
Black
Presence In . . . (new media arts conference), panelist 2001
Popular
Culture Association, panelist, 2001
´´?"Hear My Train Acomin': an
Acoustemology?of Blackness in
Space"
Emerging
Leaders Workshop, Graduate Fellow, 1999-2000
African
American Presence at Duke, panelist, 1997
Modern
Language Association, panel participant, 1995